Four Wives—One Guy Directed by Nah

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Four Wives—One Guy Directed by Nah

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Four Wives—One Guy Directed by Nah

United states Institute for Yemeni Studies


2007, 76 moments, color. Created by Women Make films, 462 Broadway, fifth Floor, nyc, NY 10013, http: //www.

Four Wives—One guy is fundamentally in regards to a polygynous family members in rural Iran. It starts with two penned statements: “The Quran: ‘Marry two, three, or four spouses it, ’” and “In Iran polygamy is located mainly in rural areas. If you’re able to afford sic” These are followed closely by a dazzling scene of females and young ones joking and playing on a golden mountain of recently harvested grain. The movie continues with photographic shots of every regarding the four spouses, accompanied with noise bites of the voices that are own by themselves. Finally, we see the husband, Heda. Standing close to him is his son, subtly parodying their daddy’s stance, but there’s no sound that is accompanying to introduce him. Alternatively, we hear their old and mother that is feisty her son as only thinking about intercourse. Doubting Heda the introduction that is formal his spouses is an imaginative cinematic put?down of an embarrassing character and a reversal of this typical training of presenting males, although not females, by title.

The movie’s message is apparently the problem that is universal polygynous households—a guy whom marries an additional spouse has a tendency to lose desire for their very first wife. The second wife and third wife each blames her unhappiness on the next wife, as if she herself had not upstaged an earlier wife as the wives continue to compete for Heda’s attention. Over and over over and over repeatedly, they scapegoat each other. The 4th spouse praises Heda as a beneficial spouse and declares, “I don’t be sorry for having hitched Heda, but i really do be sorry for having hitched a person with three spouses. ” Just Heda’s mom and their very first spouse blame him for behaving irresponsibly. Heda is actually and verbally abusive, relentlessly teasing and arguing together with his spouses, and threatening to marry all over again. He treats their kiddies approximately. But we additionally see him using their household on a picnic, tenderly cradling a new resting child, having fun with their toddler, being affectionate together with his 4th spouse.

The women are not presented as passive victims in spite of their unhappiness. The 2nd, 3rd, and 4th spouses had been divorced once they came across Heda. They explain their initial reluctance to marry an already married man. Just the wife that is second forced to marry him by her moms and dads. One other two married Heda against their moms and dads’ desires. Most of the spouses operate for their spouse if they feel necessary. The very first spouse has not a problem permitting Heda understand of her annoyance with him. We hear their spouses scold him for their economic errors and for ignoring their kiddies. One spouse defends her child’s gown when Heda accuses her of immodesty. Even though spouses complain loudly of Heda’s numerous marriages, day to day life one of them includes scenes filled up with laughter and shared support along with bitter disputes.

Technically, numerous areas of this movie are aesthetically stunning. Its energy as ethnography is based on its depiction of rural life that is domestic. Material tradition fans will take pleasure in its extraordinary footage of cooking bread, family members dishes, carpeting weaving, furniture, livestock care, a household picnic, and ladies performing their frustrations while they work. A essential thread operating through the initial half the movie may be the incessant bawdy humor among family unit members, including Heda’s senior mom. Not just is this funny, however it humanizes its topics and offers a unusual glimpse into the frank banter and humor that is therefore typical within families in the centre East. The assertiveness and behavior associated with the females contradict typical stereotypes associated with the Muslim girl as target (cf. Laila Lalami, “The Missionary Position, ”The Country, June 19, 2006). On a few occasions, Heda’s spouses freely question their economic judgment. Ziba asks Heda setting the dining dining table while she smokes a water pipeline. On another event, he assists himself to tea. Obviously, their four spouses don’t constantly serve him.

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